Falling Action Peace Out The fireworks are over as Dee gets ready to leave, and though she does throw in a few nasty parting words to her mother and Maggie, the big drama of the day has basically ended. Another part of what makes the writing conversational is that, once in awhile, the narrator addresses us readers directly. So, Mama is proudly awaiting the 'educated' elder daughter. Who would've thought a fight over quilts could get so abstract? Then she gave a sigh and her hand closed over Grandma Dee's butter dish. When I looked at her like that something hit me in the top of my head and ran down to the soles of my feet. Johnny Carson has much to do to keep up with my quick and witty tongue.
Possibly doing so, so that she can remember where she came from and in the belief that she has advanced in life. Never could carry a tune. She leads a simple and traditional life with her mother in the South while her elder sister, Dee, is away at school. Out of a dark and soft. She is looking at her heritage and tradition through a global lens rather than through an individual lens. Dee is educated, worldly, and deeply determined, not generally allowing her desires to be thwarted. Statements consisting only of original research should be removed.
We're not inside the narrator's head or memories as deeply as we were before—now she's more focused on telling us about the encounter with her guests. She is identifying herself as being a strong black African woman. Mama rejects this, telling Dee she was named after her Aunt Dicie, who in turn was named after Grandma Dee, and that the name went on through the generations. Which may suggest that appearance is more important to Dee than substance. She also describes herself as a non-witty person, in wretched outfit, plump, and non-showy.
I used to love to milk till I was hooked in the side in '49. She has been like this, chin on chest, eyes on ground, feet in shuffle, ever since the fire that burned the other house to the ground. Don't ask my why: in 1927 colored asked fewer questions than they do now. Hakim-a-barber has a restricted diet to follow, but Dee digs in to the food Mama made. With lofty ideals and educational opportunity came a loss of a sense of heritage, background, and identity, which only family can provide. Neither you, nor the coeditors you shared it with will be able to recover it again. GradeSaver, 28 August 2014 Web.
Sitting down to eat, Hakim-a-barber states that he does not eat collard greens or pork. With the limitations that poverty and lack of education placed on her life, Mama considers her personal history one of her few treasures. The narrator, for instance, struggles to see at times. We are often prey to dilemma, where we need to take a stand and tread on a given path. Mama says that Maggie knows how to quilt and can make more.
The debate over how the quilts should be treated—used or hung on the wall—represents the black woman's dilemma about how to face the future. Mrs Johnson knows that Maggie can make another quilt. He is short and stocky, with long hair. The central theme of the story concerns the importance of heritage and culture to an individual's understanding of his or her present life and identity. Although she changes her name from Dee to a more Native African name and wears African clothing, she lacks real knowledge of her culture.
The characters in the story focus a lot on African culture and heritage. Dee arrives at the family home as a strange, threatening ambassador of a new world, a world that has left Maggie and Mama behind. The narrator of the story. When Mama looks at Maggie, she is struck by a strange feeling, similar to the spirit she feels sometimes in church. The resolution is the point at which the central conflict is ended, or resolved. Hakim-a-barber's role is primarily to help Dee legitimize her new identity.
But the fact was they were both more rooted to their own culture and heritage. She is adept in household chores, and knows the nuances of the activities that were practiced by her late aunt and grandmother. Dee takes photos of Mama and Maggie in front of the house, and the greetings are stiff and unfamiliar. But of course all this does not show on television. One was in the Lone Stat pattetn. Dee is far from carrying out any of these traditional African chores. In fact, Maggie is just an extended version of her mother.